History
The legend of the Archangel's apparition at Gargano is related
in the Roman Breviary for May 8. According to the Catholic Encyclopedia,
in Michael's veneration at Monte Gargano (Garganus Mons), "his
original glory as patron in war was restored to him," for
the earlier shrine, at Chonae near Colossae, east of Laodicea (modern
Khonas, east of Denizli) on the Lycus in Phrygia, was dedicated
to him as healer; it is still the site of a miraculous church of
St. Michael.
The first apparitions of the archangel Michael in Western Europe
were granted to the Bishop of Sipontum (rebuilt in 1256 as Manfredonia),
in Apulia. Three times the Archangel appeared, nightly, the last
time on September 29, 493, the bishop reported. The Archangel
indicated the transformation into a Christian church of a grotto
sacred to Mithras, on Monte Tumba[1]. Miraculously, when the
bishop and companions arrived, a purple cloth was already laid
as for an altar, and the archangel's footprint was preserved
in the rock.
The Golden Legend (Legenda Aurea), the compendium of Christian
mythology compiled by Jacobus de Varagine between 1260-1275,
narrates the first of the apparitions of Michael:
“ When he appeared in the Mount of Gargan. This mountain
is in Naples, which is named Gargan and is by the city named
Syponte. And in the year of our Lord three hundred and ninety,
was in the same city of Syponte a man which was named Garganus,
which, after some books, had taken that name of the mountain,
or else the mountain took the name of the man. And he was right
rich, and had a great multitude of sheep and beasts, and as they
pastured about the sides of the mountains it happed that a bull
left the other beasts, and went upon high on the mountain and
returned not home again with the other beasts. Then this rich
man, the owner, took a great multitude of servants, and did do
seek this bull all about, and at the last he was found on high
on the mountain by the entry of a hole or a cave. And then the
master was wroth because he had strayed alone from other beasts,
and made one of his servants to shoot an arrow at him. And anon
the arrow returned with the wind and smote him that had shot
it, wherewith they of the city were troubled with this thing,
and went to the bishop and inquired of him what was to be done
in this thing, that was so wonderful. And then he commanded them
to fast three days and to pray unto God. And when this was done
Saint Michael appeared to the bishop, saying: Know ye that this
man is so hurt by my will. I am Michael the archangel, which
will that this place be worshipped in earth, and will have it
surely kept. And therefore I have proved that I am keeper of
this place by the demonstrance and showing of this thing. And
then anon the bishop and they of the city went with procession
unto that place, and durst not enter into it, but made their
prayers withoutforth. ”
Pope Gelasius I (reigned 492-496) directed that a basilica be
erected enclosing the space. The Basilica di San Giovanni in
Tumba is the final resting-place of the Lombard king Rothari
(d. 652); the designation "tumba" is now applied to
the cupola on squinches.[2]
To Michael's dramatic later intercession, appearing with flaming
sword atop the mountain, in the midst of a storm on the eve of
the battle, the Lombards of Sipontum attributed their victory
(May 8, 663) over the Greeks loyal to the Byzantine emperor,
and so, in commemoration of this victory, the church of Sipontum
instituted a special feast honoring the Archangel, on May 8,
which then spread throughout the Catholic Church. Since the time
of Pius V it has been formalized as Apparitio S. Michaelis although
it originally did not commemorate the apparition, but the victory
of the barbarian Lombards over the Orthodox Greeks, faithful
subjects of the Byzantine Emperor in the East and the patriarch
of Constantinople, and thorns in the papal side.
Christened "Monte Sant' Angelo", the site attracted
pilgrims from near and far. Throughout its history the shrine
at Monte Gargano has been visited by popes emperors and saints:
Bernard of Clairvaux, Thomas Aquinas, Birgitta of Sweden—
but when Francis of Assisi went, he declined to enter the grotto
itself.
Architecture
The complex of buildings consists of the Battistero di San Giovanni
in Tumba, damaged in 1942, and the Church of Santa Maria Maggiore.
The baptistery presents a rectangular storey on which rests an
octagon supporting an elliptical section and a high drum that
supports the cupola. The church erected in the eleventh century
by Archbishop Leone stands upon the remains of an ancient necropolis.
A few remnants attest to its once-rich fresco decoration.
The Castello was enlarged by the Normans upon an episcopal residence
of Orso, Bishop of Benevento, to provide a suitable seat for
the Honor Montis Sancti Angeli, further modified by Frederick
II.[3] The massive, octagonal campanile was built in the late
13th century by Emperor Frederick II of Sicily as a watchtower.
It was turned into a bell tower by Charles I of Anjou.
Behind a forecourt the sanctuary presents a portico of two Gothic
arches, the right one of 1395 by the local architect Simone,
the left one a reconstruction of 1865. From the portico steps
lead down to the low arched nave. The cavern can be accessed
from a Romanesque portal, called the Portale del Toro ("Gate
of the Bull"): the doors, in bronze, were made in Constantinople
in 1076, the donation of an Amalfitan noble. They are divided
in 24 panels portraying episodes of angels from the Old and New
Testaments.
The archaic cavern opening to the left, with its holy well,
is full of votive offerings, especially the 12th century marble
bishop's throne supported on crouching lions.[4] Among the ex
voto objects is a statue of the Archangel by Andrea Sansovino. |